Keep the three travel moments. Remove the selfie, the shaky mirror shot, and the back-to-camera photo. Shoot a little wider, then choose an intentional endpoint: show the full shoulders, keep elbows and hands, and aim around mid-thigh rather than cutting through a joint. Leave some breathing room without giving half the frame to empty sky.
The lighthouse and the winter setting already give this photo a story. No need to push your chin toward the camera.
Keep both shoulders and the full jacket in view. End below the jacket, around the upper thigh, instead of slicing through the pockets. Let your chin settle and keep the smile easy.
The building gets plenty of room, but the bottom edge cuts through your arms and leaves your lower half out.
Shoot wider first. Keep both elbows and hands in the frame, then end around mid-thigh, above the knees. Keep enough of Rome to tell the story without making yourself a footnote.
There is plenty of sky, but the frame stops just below your sleeves. The crop makes the smile do all the work.
Leave a little room above your hair. Include both shoulders, elbows, and the waist; end around mid-thigh. Relax the smile. A crop cannot recover the body that was never photographed.
Another face-and-shoulders selfie repeats what the travel photos already show.
Use a relaxed photo taken by someone else. Give the frame enough room for your posture and the place you are in.
The blur is doing overtime. And the reflection gives away the selfie setup from both sides.
This is not a crop problem. Retake it in steadier light, with someone else holding the camera. No need to rescue every photo.
The scenery is doing all the talking. We get your back, the same dark jacket, and no expression.
Keep the trip, but choose a photo where we can see you enjoying it. A tighter crop will not add a face or tell us more about you.
Edited images illustrate proposed changes; they are not original photographs or evidence of dating results.